Tuesday, November 8, 2011
OneAngryClotheshorse: Don't do gymnastics - you'll get hurt and catch the gay.
Obviously we need to research this dubious claim in the name of science, so the Liberal Media Elite can add "stroke recruiting" to its Gay Agenda. As soon as we figure out how to fix the ensuing fashion disaster apparently innate to this technique.
Bisous,
Wesley
Wednesday, August 31, 2011
OneAngryClotheshorse: Lanvin's redonkulous FW 2011 ad
Friday, August 19, 2011
OneAngryClotheshorse: Wesley Darling is mad at Zara - you should be too.

According to Brazilian newspaper Reoporter Brasil, Zara has recently come under investigation for using a third-party supplier who contracts slave-like child labor to make their garments. Among their findings were reports of children as young as 14 and 15 working in unsanitary conditions for periods of 16 hours at a time, and being paid as little as 274-460 Brazilian Real a year (Between 175 and 285 USD).
The presence of suppliers like the one found in Brazil also bring up a serious question for the consumer - is that $12 top really too good to be true? Maybe doing a bit more research about where your super el-cheapo fashion finds were constructed would be helpful in discouraging further human rights violations. As yours truly puts it, "Perhaps my jeans WERE exorbitantly expensive, but they weren't made in a sweaty windowless box by children."
Wednesday, May 25, 2011
OneAngryClotheshorse - Glee Season Finale - Rachel's Jacket

I know, Lea. I'm sorry they put you in this thing too. It looks like it hurts.
Hopefully in season 3 Rachel discovers fashion and moves away from outfits that are as loud and annoying as her character, but I'm not holding my breath.
Kiss kiss,
Wesley Darling
Photo Via
Friday, May 13, 2011
OneAngryClotheshorse: Wesley Darling's Pet Hobby


This one seems to be composed of a loud feminine fragrance (see Thierry Mugler's Angel), a disinfectant spray, and a particularly wimpy masculine 'sport' fragrance, something with a berry feel to it. It's rather like wiping your nose with sandpaper, rubbing a blue raspberry Jolly Rancher on it, and sterilizing with Lysol.
The press pack lists the notes as: anise, raspberry, grapefruit, heliotrope, lavender, and dry woods which sound appealing enough until you think about how unlikely those particular materials in combination would be in nature...sort of like walking by The Body Shop in the mall, only this particular store is on fire.
Wednesday, May 11, 2011
OneAngryClotheshorse: A small retraction
ONEANGRYCLOTHESHORSE: NOW HE'S JUST FUCKING WITH US





Tuesday, March 1, 2011
OneAngryClotheshorse's Red Carpet MADNESS - part 2
OneAngryClotheshorse: The Oscars 2011
Later today: Wesley Darling puts the smack down on ladies who think the "unmilked cow" look is perfect for the spring season and one unlucky gentleman who wanted to wear a gunny sack on his big night. Stay tuned!
Monday, February 28, 2011
Yawnfest 2011: The Oscars
I watched the Oscars last night with my old-ass mom-- boooooooooooring! I mean, seriously, the most exciting part of the whole show was Billy Crystal and he was only on for two minutes. Did anyone else think that James Franco officially hated co-hosting with Anne "Stick Figure With No Soul" Hathaway? Every time she said something he rolled his eyes at the camera. Catty!
In the next day or two Wesley Darling (OneAngryClotheshorse) will have his breakdown and analysis of last night's couture-- btw! Natalie Portman = BEST MATERNITY DRESS EVER!!!
Anyway, here are the winners:
Best Picture
"The King's Speech," Iain Canning, Emile Sherman and Gareth Unwin, Producers
Achievement in directing
"The King's Speech," Tom Hooper
Actor in a Leading Role
Colin Firth in "The King's Speech"
Actor in a Supporting Role
Christian Bale in "The Fighter"
Actress in a Leading Role
Natalie Portman in "Black Swan"
Actress in a Supporting Role
Melissa Leo in "The Fighter"
Animated Feature Film
"How to Train Your Dragon" Chris Sanders and Dean DeBlois
"The Illusionist" Sylvain Chomet
"Toy Story 3" Lee Unkrich
Achievement in Art Direction
"Alice in Wonderland"
Achievement in Cinematography
"Inception," Wally Pfister
Costume Design
"Alice in Wonderland," Colleen Atwood
Documentary (Feature)
"Inside Job," Charles Ferguson and Audrey Marrs
Documentary (Short Subject)
"Strangers No More"
Film Editing
"The Social Network"
Foreign Language Film
"In a Better World," Denmark
Makeup
"The Wolfman," Rick Baker and Dave Elsey
Music (Original Score)
"The Social Network," Trent Reznor and Atticus Ross
Music (Original Song)
"We Belong Together" from "Toy Story 3," Music and Lyric by Randy Newman
Short Film (Animated)
"The Lost Thing," Shaun Tan and Andrew Ruhemann
Short Film (Live Action)
"God of Love," Luke Matheny
Sound Editing
"Inception," Richard King
Sound Mixing
"Inception," Lora Hirschberg, Gary A. Rizzo and Ed Novick
Visual Effects
"Inception," Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb
Writing (Adapted Screenplay)
"The Social Network," Screenplay by Aaron Sorkin
Writing (Original Screenplay)
"The King's Speech," Screenplay by David Seidler
Tuesday, February 22, 2011
SPU And The GSA: Ian Awesome Translates Seattlese
The school has recently come under fire as they have ceased giving the GSA space to hold meetings, a move clearly made in order to convey the University's disapproval of GAY BUTT SECKS!!!!1!!!
The good folks over at the Stranger reported on it, and then encouraged everyone to write into these jabronis and let them know what's up-- essentially, that they were big spacky b-holes for being unkind to the gays.
They were hoping for a strong response from the President, Phil Eaton. Instead, they got a mystifying, meandering letter which, instead of saying anything of substance, could instead be entered in the Seattle Passive Aggression Hall of Fame. Below I include his response, however, I know none of my readers are douchebags so it might be hard for you to understand exactly what he is saying. Luckily, I'm fluent in douchebag and have put a translation after his blathering ends-- Mr. Darling asked me to simplify and elucidate on Dr. Phil's point of view and I was only too happy to oblige.
Eaton's response:
Dear SPU colleagues and friends,
It is Saturday morning early as I begin this note (I’m actually in the Bay Area as I finish), my time for reflection and regrouping. I am sorry this is the first moment in a very busy week I’ve had time to collect myself on the current issues around club status and human sexuality and care for our students.
But let me offer here some suggestions and principles that might guide us as we move forward.
1. I assure you I have been reading and listening and reflecting on all of this. I have been talking and listening to faculty and Vice Presidents and trustees. I received some thoughtful and articulate letters from a number of recent alums, to which I am responding. I look forward to the chance to talk further with our students at the appropriate time, as I have done in the past.
My question always comes around to this: How can we model, in all we do, genuine Christian community? Here’s the other question we must ask: How we can help guide our students toward a life that is full and healthy and meaningful, help them discover what is right and good, help them affirm the ancient Christian teaching on all matters of life?
And so I share what follows in the spirit of these aspirations.
2. We need at this moment to address very clearly and openly the issue of club status. I have asked Vice President Les Steele and Associate Vice President Jeff Jordan to communicate directly the reasons for their decisions. There is a lot of misinformation floating around, and we need to clear things up about what happened and why.
I have also asked them to outline and communicate specific next steps as they work closely with the students and others to get clarity about where we go from here. I will be involved in that discussion.
Let me also commend Les and Jeff for endless hours of work with our students over years on this matter. Their hearts and minds and efforts are absolutely in the right place. We owe them our thanks.
3. We have some differences on these issues, not only on our campus, but surely within our messy and often divided society. Strong communities are always open to differences and are willing to engage those differences meaningfully and together. We should guard against closed or clogged channels. We should seek to respect each other. We should always seek to focus our attention on our students with love and genuine concern for their well being. We should always be willing to tackle the important, even contested issues of our day. That’s what engaging the culture is all about, and we go about that work without fear or hesitation.
4. Let us think hard in this moment about the Christian view of human flourishing that animates the center of our lives and our university. We want the best for our students. Let us love our students even as we affirm our deepest convictions.
We find ourselves these days always asking this question: Where do we turn for guidance about human flourishing when all stories of what is true and good and beautiful are called into question by our postmodern, post-Christian culture? How do we embrace the Christian story when the truth and goodness of our story is decidedly contested by our culture?
Here is my deepest conviction on these questions: We turn to the Christian Scriptures and to the teaching of the Christian church throughout the centuries. As a Christian university, and as Christian individuals, this is our foundation, our deepest and profound resource, our guide. We focus intensely on our holy text. This is the authoritative source that must guide us as we move forward.
As we turn to these teachings, we begin at the beginning: Everyone is created in the image of God. Everyone is formed with human dignity. God loves all of his children.
And then we say, in our brokenness, we lean on the grace of God’s transforming power through Jesus Christ. We become new creatures, even so in transformation, but all of us still on our way.
But then, what happens “after we believe,” as N. T. Wright phrases it? Well, we begin the hard work of “putting on,” in Paul’s familiar words, the “garments that suit God’s chosen and beloved people: compassion, kindness, humility, gentleness, patience,” tolerance and forgiveness, and of course “to bind everything and complete the whole, there must be love.” All of this is part of the discipline of our lives as Christians, the discipline that contributes to the formation of communities of grace and love.
But then Paul ventures into what is sometimes the tough part: He tells us we must “put off” some things that are harmful for us, destructive to our communities of faith, hurtful to our world. We don’t like boundaries to our freedom, especially in our time, but our faith tradition calls on us to consider the need for certain boundaries, not just in the area of our sexuality, but in all sorts of areas of human experience.
In the end God wants for all of his children lives that are flourishing, and it is our task, “after we believe,” to seek and model and teach our way toward human flourishing. What the disciples discovered in Jesus, says Wright, was “a way of being human which nobody had ever imagined before. This was a way of generosity and forgiveness, a way of self-emptying and a determination to put everyone else’s needs first. . . .” It was the way of “humility, charity, patience, and chastity,” something unthinkable as virtues to the ancient Greeks.
We seek this remarkable “way of being human, ” the one we discover in Jesus, the one communicated to us through holy Scriptures, the one we grapple with in the teachings of the Christian church throughout the centuries.
We want this new way for our students and for each of our lives and for our community at SPU.
5. Finally, I don’t want to be vague on the whole topic of human sexuality. We’ve got to continue to sort things out. We don’t want to dodge the specifics in some fog of abstraction. We have a statement on human sexuality we have worked on over many years, seeking to be clear, seeking to be nuanced. We lift up that statement, not as holy text, but as something that can encourage our wrestling with these issues.
This is a time when our culture has made some decisive moves on these things, shifting quite dramatically even over the last five years, and we ask now, as a Christian community, how we might affirm where we stand as Christians as we engage that culture, how we might lovingly communicate the ancient tradition we represent?
My great hope is that we can do all of this with humility and in the spirit of grace and love to which we are called. No one has a corner on compassion and righteousness. We are all in this together. My hope is that we can learn better all the time how to treat our students lovingly even as we affirm some things we believe to be true and good and beautiful.
God bless each one of you. May God bless our students. May God bless our community as we seek to be faithful and obedient to God’s call on this place, for this time, even on these very issues.
Phil
Gee. Thanks, Phil. Here's how the rest of us would communicate what he has to say:
"Also, here's a homily about self sacrifice and the greater good so you can a) feel bad about being so selfish if you're a member of a GSA that you're going to waste our time with this crap and b) realize that we're really being very generous by offering you forgiveness.
"In conclusion, I'm really not going to say anything about this because I don't want to get pigeonholed into actually progressing on this problem, however, I would like everyone to remember that we are a Christian school and Christians get to hate on homos cuz the Bible told us to. So fuck off.
"PS: Stop bothering me on a Saturday."
Isn't higher education great?
Monday, February 21, 2011
OneAngryClotheshorse Rips Style.Com a new one Pt. 2
Author's note: Here's part 2 of this article. Read it and enjoy the savage humor and wit! Or don't. (But you know you wanna...) Also, read part 1. And show it to your friends - shit aint gonna read itself.

It's saying a hell of a lot when the best outfit in any given set of outfits is a gold lamé bag with a wad of fabric tied across a gal's ladyparts. Yes, it's needlessly complicated but it's wearable, saleable, and looks relatively well made. The styling choices are terrible, though - how many girls do YOU know who would pair a dress that can be seen from space with a matching giant wire choker and chandelier earrings? (Note: The answer may vary depending on how close to New Jersey the reader lives.) Girl does know how to pick out her shoes…those are too fabulous for words. Flowers AND Birds?! It's a sartorial paradise!
This outfit grieves me, it really does. Viewed separately these are FANTASTIC pieces. The leather on that duffle coat looks incredibly comfortable and soft, the backpack has a "luxury leather goods" vibe without being ostentatious, and the goddess-dress has a body-friendly feel to it. The dress also has a glamor to it that refers simultaneously to Halston, Jean Harlow, and 21st century ladies like Anne Hathaway. As an outfit, it's like mixing salmon, chocolate, cheese, and balsamic vinegar...this gal is either on an expedition to open an Alaska branch of Studio 54, or is a homeless debutante. Either way it's lazy for a designer to slop together an outfit from unrelated clothes for the runway. It's as if they ran out of models to carry things. "You there! Grab that backpack! Melissa forgot to put it on her couture ski outfit!"
After all of that bitchery, it seems appropriate to write a small coda. This article is a concentrated approach to a very small segment of the Fall 2011 season. It would take months to analyze the hundreds of looks presented in collections from the last two-three weeks, and it wouldn't be particularly interesting reading. I hope you've had fun with my little rant(s), I plan on doing it relatively often. In the meantime, check out Style.com (or GQ.com for Mens shows) and make a few of your own opinions - what would fashion be without them?
Bisous,
-Wesley Darling
Photo Credits - Elle.com/Style.com/Getty images/wireimage...all photographs are the property of their respective owners. OneAngryQueer and OneAngryClotheshorse claim no credit for the images used in these or any posts unless otherwise noted.



















