According to multiple (if questionable) news sources, Charlie Sheen is planning on coming out as HIV-positive this week. A problematic actor often given to drug-fueled antics that land him in trouble either with the law or with the press, the media has, unsurprisingly, scrambled to paint this news in the worst possible light, with TMZ, the Enquirer, and others immediately publishing gossip, hearsay, and misinformation just as fast as their admittedly amateurish writers can churn it out. Of course, this is a gross violation of someone's private health information-- but HIV in many's minds is too salacious to stay quiet about.
I personally don't care about Charlie Sheen. However, the narratives being established about his disease are very troubling-- not to mention harmful to the average person living with HIV in the US. While media may be scrambling to publish whatever juicy tidbits about his health and sex practices, HIV advocates and activists are scrambling to figure out how to make people understand that we have to be careful how we talk about HIV.
It's great that they do that work, but it's also important that average HIV-negative (seronegative) people show a good understanding about how to talk about the virus and the people who have it. Now is an excellent time to be an ally; both social media and celebrity news are failing monumentally. Frankly, the coverage of his announcement has been so bad that it might as well have been published in 1985, in the earliest, most fearmongering years of the epidemic. It can be hard for seronegative people to know how to respond to it either privately or publicly. Here are some handy talking points from people living with HIV (seropositive people) about how to discuss Charlie Sheen's (or anybody's) HIV.
1. Nobody deserves HIV.
He hasn't even made his official announcement and I've already seen people on social media proclaim loud and proud that he deserves to have HIV. Namely, Sheen is a promiscuous drug user-- many think that obviously, if anyone should catch the disease, it should be someone like him.
This is, of course, ridiculous. Addiction is hard and is even harder without having to deal with a lifelong, deadly, complicated virus. HIV can make recovery a lot harder, with feelings of shame and disgust making it difficult to take steps toward sobriety. Trust me on this one.
Additionally, someone doesn't deserve HIV due to promiscuity. In fact, promiscuity doesn't cause HIV. HIV doesn't care how many times you have sex, or with how many people. The virus is caught with one exposure, not by being exposed to it many times. You can catch HIV when you lose your virginity so it doesn't matter how much you have as long as you're doing it wisely. Additionally, sex is not only good but good for you. Saying someone with HIV deserves it because they have a lot of sex is puritanical at best and extremely stigmatizing at worst.
2. Rumors he infects people should be ignored until confirmed.
Tabloids are already reporting that Sheen has been spreading the virus to "dozens" of women. One article, speaking about him before the news became public, even referred to him as a "public health risk" because he has HIV.
I am skeptical, not because I don't think people can be unwise and transmit HIV, but because the tabloids themselves are quoting Sheen as saying HIV can't be detected in his blood. This isn't an implausible assertion. If you are adherent to medication, you can suppress HIV to the point where it can't be found in blood (also known as being "undetectable"). There has yet to be a recorded case of a person with an undetectable virus load transmitting HIV.
Given his socioeconomic status and additional leaked statements in which Sheen is saying that his blood "doesn't have HIV" it is likely that he is being treated, has been for years, and that he can't transmit the virus.
Why would someone say this about someone living with HIV when it is likely untrue? Because everybody likes a boogeyman, and HIV is an easy boogeyman to use as clickbait. Frankly, ignorant people always want to believe that someone is running around using HIV as a weapon and that isn't just sad; it's exploitative and the majority of the time false.
3. HIV is not the same as AIDS, and referring to it as such is cheap.
It is pretty ludicrous that I should have to say this in 2015, but HIV is not AIDS. AIDS is a condition caused by HIV. AIDS just means that the body has been unable to fight off HIV and that opportunistic infections are occurring due to the body's lack of immunity to disease. Referring to someone who is living with HIV as someone "battling" AIDS is incredibly inappropriate and is a scare tactic literally lifted from 80's-era press sensationalism.
AIDS is scary. I was close to an AIDS diagnosis once and it was a sick, awful feeling. AIDS is a word that can mean death. It's not a term to throw around lightly. And publishing that Sheen, who was previously dealing with HIV privately, as perpetuating an AIDS "cover-up" is inexcusable, especially since the majority of treated poz people living in the US today are very healthy.
Which brings me to:
4. Gossiping about someone's HIV status is not only harmful to them, but harmful to seropositive (and seronegative) people everywhere.
Let's be real. Your private health information is not my business. If you have cancer, diabetes, Crohn's disease, or really any sort of health problem, you can choose to be private about it and most people will respect your privacy.
Not so with HIV. Before I tested positive I was guilty of gossiping and you may have too; the way western society has dealt with HIV has been to sensationalize, fearmonger, and frighten. There is a ton of misinformation out there either designed to "keep you safe" or to simply get you to buy a paper.
This is harmful to people living with HIV. The more we treat it as a topic that we can gossip about, the more people spread the idea that HIV is scary, shameful, and bad. My disease is not bad. I am not ashamed of it, and you should not be scared by me and what I represent. However, I face not only social rejection but also legal repercussions due to HIV stigma. In my state someone can accuse me of not disclosing my status before sex and have me jailed. Stigma is serious and very damaging.
Not just to HIV positive folks, either. Stigmatizing discussions of HIV not only make life hard for us but have repercussions for those who don't. In fact it discourages people from getting tested and finding out they may carry the virus. One in five Americans who are living with HIV don't know about it and that's a problem-- remember that people are more infectious when not accessing treatment. We need to get as many people comfortable with being tested and informed as possible or HIV will continue to spread.
Whatever you think about Charlie Sheen (and frankly he gives me the absolute creeps) we have to understand how to talk (or not talk) about his HIV. Why? Because if you know someone who is doing it incorrectly about him, you can be sure that person is talking about someone else in a way that's just as damaging. That is dangerous, and helps no-one.
So think about what you say, and encourage others to do the same. There's literal lives at risk.
To see HIVEqual's fact checking of the Charlie Sheen story, click here.
Tuesday, November 17, 2015
Tuesday, January 13, 2015
Charlie Hebdo: Islamophobia As a Function of Racism
This month, a publication whose work went largely unnoticed by Americans and our media outlets has been thrust into the spotlight and is the focus of strident discussion and disagreement in the aftermath of a violent attack on its editorial staff. On January 7th, 2015, armed gunmen stormed the offices of Charlie Hebdo, a so-called satirical magazine in Paris, killing twelve and injuring four.
While the origins of the attack were initially unclear (al-Qaeda affiliates in Yemen have since claimed responsibility), the motivations of the killings have been imminently clear. This is not the first time Charlie Hebdo has been targeted by religious extremists. The publication has long been the focus of complaints critical of the magazine's "humor." For years, alongside cartoons lampooning the Pope and French political leaders, Charlie Hebdo's artists have included depictions of Muslims and Muslim holy figures (specifically Muhammad) in caricatures deemed by many to be homophobic and racist.
This has not blunted the outpouring of support for the magazine and its murdered artists and editors in the West. Moderates and liberals alike have chosen to stand up for what they view as a free-speech issue, proclaiming "Je Suis Charlie" (I Am Charlie in French) in order to show their support for unfettered freedom of the press to produce whatever material it deems appropriate. On the 11th, an estimated 1.6 million took to the streets in Paris in solidarity with the dead artists. Backlash has been widespread, with many blaming Islam in its entirety for the attack, with Rupert Murdoch publicly stating that all Muslims must be held responsible.
Some of us, however, don't want to say "Je Suis Charlie." It's not out of misguided stubbornness; we simply don't want to identify with racist art.
Je Ne Suis Pas Charlie
It is of course important to take a stance against violence enacted by religious extremism. However, it is important to remain critical of racist rhetoric (and yes, art can certainly be rhetorical). Our social media has been choked up with a debate centered around the "right" of free speech. At least, mine certainly is and I'm sure yours has seen a lot of fierce arguments on either side of the discussion. On one hand, proponents of "free speech" state that Charlie Hebdo can say whatever they want to free of sanction, while on the other people are refusing to stand in support of its controversial cartoons.
The thing is, this debate isn't actually about free speech or really terrorism even. At its core, this discussion is about anti-Muslim hatred, its impact on others, and whether or not we should feel free to make racist art about a vast demographic with a tremendous wealth of cultural variation and substance.
Critical to the arguments on behalf of secularist "free speech," of course, is the argument that Islam is a religion, not a race. Therefore, Charlie Hebdo's work is satire criticizing religious power structures instead of racist trash and therefore should be protected. While secularist liberals may identify with such ideas, it's important to accept that Islamophobia, a culture of hatred against Islam and those who profess it, is inextricable from racism.
Islamophobia: A Colonial Tradition
It has always been in the interest of the West to ridicule Islam. Colonial powers have throughout history benefited politically and economically by engaging in rhetoric detrimental to Muslims. Whether it be the Crusades or the French occupation of North Africa, white dominance over the regions where Islam hold sway depended on the ability of European colonizers' ability to paint Muslims in the public eye as unwashed savages and infidels.
While the French colonial empire has largely ended, it is still in the interest of those who inherited the legacy of colonialism to assert the superiority of white governments of European descent. Make no mistake, there is still a lot of profit to be made by the exploitation of Arab and African land and labor, and one of the easiest ways to maintain dominance is to continue an idea of Muslims as dirty, insane extremists bent on the destruction of wholesome white culture.
Charlie Hebdo is exemplary at that. Feeding on white rage at the immigrants in their midst, they created images paralleled by our own far right, notably once depicting Boko Haram rape survivors as ugly welfare queens capitalizing on the product of the sexual abuse that had been visited upon them.
While the origins of the attack were initially unclear (al-Qaeda affiliates in Yemen have since claimed responsibility), the motivations of the killings have been imminently clear. This is not the first time Charlie Hebdo has been targeted by religious extremists. The publication has long been the focus of complaints critical of the magazine's "humor." For years, alongside cartoons lampooning the Pope and French political leaders, Charlie Hebdo's artists have included depictions of Muslims and Muslim holy figures (specifically Muhammad) in caricatures deemed by many to be homophobic and racist.
This has not blunted the outpouring of support for the magazine and its murdered artists and editors in the West. Moderates and liberals alike have chosen to stand up for what they view as a free-speech issue, proclaiming "Je Suis Charlie" (I Am Charlie in French) in order to show their support for unfettered freedom of the press to produce whatever material it deems appropriate. On the 11th, an estimated 1.6 million took to the streets in Paris in solidarity with the dead artists. Backlash has been widespread, with many blaming Islam in its entirety for the attack, with Rupert Murdoch publicly stating that all Muslims must be held responsible.
Some of us, however, don't want to say "Je Suis Charlie." It's not out of misguided stubbornness; we simply don't want to identify with racist art.
Je Ne Suis Pas Charlie
It is of course important to take a stance against violence enacted by religious extremism. However, it is important to remain critical of racist rhetoric (and yes, art can certainly be rhetorical). Our social media has been choked up with a debate centered around the "right" of free speech. At least, mine certainly is and I'm sure yours has seen a lot of fierce arguments on either side of the discussion. On one hand, proponents of "free speech" state that Charlie Hebdo can say whatever they want to free of sanction, while on the other people are refusing to stand in support of its controversial cartoons.
The thing is, this debate isn't actually about free speech or really terrorism even. At its core, this discussion is about anti-Muslim hatred, its impact on others, and whether or not we should feel free to make racist art about a vast demographic with a tremendous wealth of cultural variation and substance.
Critical to the arguments on behalf of secularist "free speech," of course, is the argument that Islam is a religion, not a race. Therefore, Charlie Hebdo's work is satire criticizing religious power structures instead of racist trash and therefore should be protected. While secularist liberals may identify with such ideas, it's important to accept that Islamophobia, a culture of hatred against Islam and those who profess it, is inextricable from racism.
Islamophobia: A Colonial Tradition
It has always been in the interest of the West to ridicule Islam. Colonial powers have throughout history benefited politically and economically by engaging in rhetoric detrimental to Muslims. Whether it be the Crusades or the French occupation of North Africa, white dominance over the regions where Islam hold sway depended on the ability of European colonizers' ability to paint Muslims in the public eye as unwashed savages and infidels.
While the French colonial empire has largely ended, it is still in the interest of those who inherited the legacy of colonialism to assert the superiority of white governments of European descent. Make no mistake, there is still a lot of profit to be made by the exploitation of Arab and African land and labor, and one of the easiest ways to maintain dominance is to continue an idea of Muslims as dirty, insane extremists bent on the destruction of wholesome white culture.
Charlie Hebdo is exemplary at that. Feeding on white rage at the immigrants in their midst, they created images paralleled by our own far right, notably once depicting Boko Haram rape survivors as ugly welfare queens capitalizing on the product of the sexual abuse that had been visited upon them.
"Don't touch my allotments!"
Good old American racism.
Americans, of course, are used to this sort of depiction. It is undeniably racist; in both instances brown women are depicted as ugly, smelly harridans demanding the hard-earned cash accumulated by more deserving (and of course, white) citizens. In both, a rich culture is debased and reduced to the stereotype of shrewish brown manipulator in order to further agendas of white preservation and supremacy.
With Islamophobia, we combine critique of religion with shocking racism. In the West's public perception, Islam is equated with Arab. When we produce caricatures of Muslims, we invariably depict them with turbans, giant mustaches and noses, curved swords and swarthy complexions. When we lampoon Muslims, we ignore the complete reality of Islam and instead focus on a historical racial target of the West's aggression: the brown people of the Middle East.
This has been proven since the attack. A wave of violence and hate-filled messages have struck Muslims in France, with one piece of graffiti all too clearly illustrating the marriage of Islamophobia and racism. One mosque opened its doors one morning to find a message painted on a nearby wall: "Death to Arabs."
Yes. Islamophobia is about racism, my friends.
With Islamophobia, we combine critique of religion with shocking racism. In the West's public perception, Islam is equated with Arab. When we produce caricatures of Muslims, we invariably depict them with turbans, giant mustaches and noses, curved swords and swarthy complexions. When we lampoon Muslims, we ignore the complete reality of Islam and instead focus on a historical racial target of the West's aggression: the brown people of the Middle East.
This has been proven since the attack. A wave of violence and hate-filled messages have struck Muslims in France, with one piece of graffiti all too clearly illustrating the marriage of Islamophobia and racism. One mosque opened its doors one morning to find a message painted on a nearby wall: "Death to Arabs."
Yes. Islamophobia is about racism, my friends.
And No, You Shouldn't Be Charlie Either.
We can condemn murder without replicating harmful narratives that lead to the destruction of brown lives. While Charlie Hebdo's pens certainly never killed anyone, anti-Arab sentiment repurposed as art has indeed contributed to a culture of violence and exploitation felt deeply in the Middle East and in Paris' backyard. It's easy to see as an outsider; affluent white French get the best neighborhoods while North Africans and Arabs are relegated to brown ghettoes in the suburbs of Paris. Muslims are banished to the back streets and alleys, left to begging, selling tourist trinkets, and making falafel in order to scrape by.
That's really the crux of the problem with Charlie Hebdo's "satire." Frankly, it's not satire. Satire is about critiquing power and lampooning those who have it. It's quite clear that French Muslims do not have power. Having a white editorial staff depicting the entirety of Islam as gap-toothed murderous fanatics isn't courageous; it's taking a cheap shot against an already oppressed minority. It's bullying, and we shouldn't support that.
In short, I am not Charlie and neither should you be. Charlie Hebdo continues to perpetrate a legacy of racism and ugly oppression. Why would you want to?
That's really the crux of the problem with Charlie Hebdo's "satire." Frankly, it's not satire. Satire is about critiquing power and lampooning those who have it. It's quite clear that French Muslims do not have power. Having a white editorial staff depicting the entirety of Islam as gap-toothed murderous fanatics isn't courageous; it's taking a cheap shot against an already oppressed minority. It's bullying, and we shouldn't support that.
In short, I am not Charlie and neither should you be. Charlie Hebdo continues to perpetrate a legacy of racism and ugly oppression. Why would you want to?
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